This poem is from a broader project titled Limiting Entropy (a collaboration with the visual artist Dr Tony Curran). Ekphrasis and ekphrastic practice have a long and studied history both internationally (see Heffernan, Hollander, Kreiger) as well as in Australian literature (see Dominic Symes, 'Ekphrasis as Event', 2017 or Tegan Bennett's 'The kaleidoscope of visual poetry,' 2011). Through a series of visual-poetic calls and responses, Limiting Entropy is a contemporary Australian instantiation of what Paul Frosh has described as 'a dynamic intersection of images and words that is both generative and propulsive.'
|Media of output||print|
|Publisher||Marathon Literary Review|
|Place of Publication||USA|
|Publication status||Published - 2017|