Abstract
This article investigates the zine as a compelling example of autographics, theorizing the dynamics of self-representation in these handmade texts. Reading the intersection of text, layout, and production as a complex site of self-representation, the materiality of the zine form is examined as a meta-critical refl ection on the form of the book and the potential of the photocopier as a means of production.
| Original language | English |
|---|---|
| Pages (from-to) | 85-102 |
| Number of pages | 18 |
| Journal | Biography |
| Volume | 31 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 2008 |