Borges's "Infinite Finite" in Charlie Brooker's Black Mirror

Suzie Gibson; Dean Biron

doi:10.1007/978-3-030-47495-9

Borges's "Infinite Finite" in Charlie Brooker's Black Mirror

Research output: Book chapter/Published conference paper › Chapter (peer-reviewed) › peer-review

Abstract

Charlie Brooker’s Black Mirror (2011–2016) provides a timely commentary upon digital technologies that increasingly mediate human relationships. Its fantasy elements—which more often than not feel also like a prophesy—prompt reflection upon our own agency and how it is modified and filtered through devices that, more than simply enabling communication, to a large extent determine the nature and even the ethics of our interactions.

Original language	English
Title of host publication	The moral uncanny in Black Mirror
Editors	Margaret Gibson, Clarissa Carden
Place of Publication	Cham, Switzerland
Publisher	Palgrave Macmillan
Chapter	3
Pages	41-58
Number of pages	18
Edition	1st
ISBN (Electronic)	9783030474959
ISBN (Print)	9783030474942
DOIs	https://doi.org/10.1007/978-3-030-47495-9
Publication status	Published - 2021

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title = "Borges's {"}Infinite Finite{"} in Charlie Brooker's Black Mirror",

abstract = "Charlie Brooker{\textquoteright}s Black Mirror (2011–2016) provides a timely commentary upon digital technologies that increasingly mediate human relationships. Its fantasy elements—which more often than not feel also like a prophesy—prompt reflection upon our own agency and how it is modified and filtered through devices that, more than simply enabling communication, to a large extent determine the nature and even the ethics of our interactions.",

author = "Suzie Gibson and Dean Biron",

note = "Includes bibliographical references and index.",

year = "2021",

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AU - Gibson, Suzie

AU - Biron, Dean

N1 - Includes bibliographical references and index.

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Y1 - 2021

N2 - Charlie Brooker’s Black Mirror (2011–2016) provides a timely commentary upon digital technologies that increasingly mediate human relationships. Its fantasy elements—which more often than not feel also like a prophesy—prompt reflection upon our own agency and how it is modified and filtered through devices that, more than simply enabling communication, to a large extent determine the nature and even the ethics of our interactions.

AB - Charlie Brooker’s Black Mirror (2011–2016) provides a timely commentary upon digital technologies that increasingly mediate human relationships. Its fantasy elements—which more often than not feel also like a prophesy—prompt reflection upon our own agency and how it is modified and filtered through devices that, more than simply enabling communication, to a large extent determine the nature and even the ethics of our interactions.

U2 - 10.1007/978-3-030-47495-9

DO - 10.1007/978-3-030-47495-9

M3 - Chapter (peer-reviewed)

SN - 9783030474942

SP - 41

EP - 58

BT - The moral uncanny in Black Mirror

A2 - Gibson, Margaret

A2 - Carden, Clarissa

PB - Palgrave Macmillan

CY - Cham, Switzerland

ER -

Borges's "Infinite Finite" in Charlie Brooker's Black Mirror

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