Abstract
| Original language | English |
|---|---|
| Title of host publication | SMPTE17: Embracing Connective Media |
| Publisher | IEEE, Institute of Electrical and Electronics Engineers |
| Pages | 1-10 |
| Number of pages | 10 |
| ISBN (Print) | 9781614829584 |
| DOIs | |
| Publication status | Published - 2017 |
| Event | SMPTE17 Conference - International Convention Centre, Sydney, Australia Duration: 18 Jul 2017 → 20 Jul 2017 https://www.smpte.org.au/?p=3943 (Conference website) https://ieeexplore.ieee.org/xpl/mostRecentIssue.jsp?punumber=8046174 (Conference proceedings) |
Conference
| Conference | SMPTE17 Conference |
|---|---|
| Abbreviated title | Embracing Connective Media |
| Country | Australia |
| City | Sydney |
| Period | 18/07/17 → 20/07/17 |
| Other | The region’s premier forum for the exploration of Broadcast, Media and Entertainment technology, SMPTE17 includes three days of compelling technical conference sessions, offering attendees unparalleled opportunities for professional development, relationship building, and “mind sharing.” Presenters and panelists will include a wide range of international and local technology thought-leaders. |
| Internet address |
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Designing Spatial Sound: Adapting Contemporary Screen Sound Design Practices for Virtual Reality. / Candusso, Damian.
SMPTE17: Embracing Connective Media. IEEE, Institute of Electrical and Electronics Engineers, 2017. p. 1-10.Research output: Book chapter/Published conference paper › Conference paper
TY - GEN
T1 - Designing Spatial Sound: Adapting Contemporary Screen Sound Design Practices for Virtual Reality
AU - Candusso, Damian
PY - 2017
Y1 - 2017
N2 - The introduction of 360º film and Virtual Reality (VR) has meant practitioners have had to adapt to a multitude of new platforms and specifications, with no existing pathways or working methodologies. VR audio is continually being redefined, with contemporary film sound practices having to adapt to new forms of spatialisation and headphone delivery. The variations in platforms also necessitates different delivery requirements, with the audio often a secondary consideration. This paper will examine the current state of sound for virtual reality and discuss sound design for VR from a creative practice perspective.
AB - The introduction of 360º film and Virtual Reality (VR) has meant practitioners have had to adapt to a multitude of new platforms and specifications, with no existing pathways or working methodologies. VR audio is continually being redefined, with contemporary film sound practices having to adapt to new forms of spatialisation and headphone delivery. The variations in platforms also necessitates different delivery requirements, with the audio often a secondary consideration. This paper will examine the current state of sound for virtual reality and discuss sound design for VR from a creative practice perspective.
KW - Interactive Film
KW - Sound Design
KW - Virtual Reality
KW - Virtual Reality Sound
KW - 360º
KW - Film Sound
KW - VR
KW - VR Sound
KW - Immersive Sound
KW - Immersive Audio
KW - Game Sound
KW - Game Audio
KW - Binaural
KW - Ambisonics
KW - HMD
UR - https://edas.info/p23184
UR - http://smpte.com.au/2019/wp-content/uploads/2017/07/SMPTE-Conference-Synopses.pdf
UR - https://www.smpte.org/digital-library
UR - https://www.smpte.org.au/?page_id=3971
U2 - 10.5594/M001749
DO - 10.5594/M001749
M3 - Conference paper
SN - 9781614829584
SP - 1
EP - 10
BT - SMPTE17: Embracing Connective Media
PB - IEEE, Institute of Electrical and Electronics Engineers
ER -