Ear

Eddie Paterson; Lara Stevens

doi:10.4324/9781003273080-4

Ear

Eddie Paterson
, Lara Stevens

Charles Sturt University

University of Melbourne

Research output: Book chapter/Published conference paper › Chapter (peer-reviewed) › peer-review

Abstract

This chapter explores patterns of sonic vibration, deep listening and atmospheric communication through exploration of works by Stelarc, The Delta Project and Indigenous Australian songspirals. We expand on the notion of performing climates as a dramaturgy of more-than-human atmospheres, actors and affects to provoke a reconstitution of relations between biological, technological and climatic conditions in live performance.

Original language	English
Title of host publication	Performing climates
Place of Publication	Abingdon
Publisher	Routledge
Chapter	4
Pages	31-44
Number of pages	14
Edition	1st
ISBN (Electronic)	9781040302316, 9781003273080
ISBN (Print)	9781032225562
DOIs	https://doi.org/10.4324/9781003273080-4
Publication status	Published - 01 Jan 2025

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10.4324/9781003273080-4

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AB - This chapter explores patterns of sonic vibration, deep listening and atmospheric communication through exploration of works by Stelarc, The Delta Project and Indigenous Australian songspirals. We expand on the notion of performing climates as a dramaturgy of more-than-human atmospheres, actors and affects to provoke a reconstitution of relations between biological, technological and climatic conditions in live performance.

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Ear

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