Abstract
In this cahpter I suggest that the form-critically identified laments
of the Hebrew Bible can be understood via the performance concept of
"framing." In art, drama, and literature the frame lifts the work or event
to a heightened consciousness and provides a context for practitioners
and audiences to interact. My interest is in the link between frame (form)
and content. 1 argue that the lament form provides a literary framework
for the expression of anguish by empowering those who are suffering
to name their pain, despite the constraints of the form that generally
culminate in a leaning towards hope. Comparison of biblical laments
emanating from the experience of exile with lament poetry written by
exiled Burmese Karen refugees in the twenty-first century will show that
resonances exist between the disparate communities through their common
framing of pain via lament.
of the Hebrew Bible can be understood via the performance concept of
"framing." In art, drama, and literature the frame lifts the work or event
to a heightened consciousness and provides a context for practitioners
and audiences to interact. My interest is in the link between frame (form)
and content. 1 argue that the lament form provides a literary framework
for the expression of anguish by empowering those who are suffering
to name their pain, despite the constraints of the form that generally
culminate in a leaning towards hope. Comparison of biblical laments
emanating from the experience of exile with lament poetry written by
exiled Burmese Karen refugees in the twenty-first century will show that
resonances exist between the disparate communities through their common
framing of pain via lament.
Original language | English |
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Title of host publication | Spiritual complaint |
Subtitle of host publication | The theology and practice of lament |
Editors | Miriam J Bier, Tim Bulkeley |
Place of Publication | Eugene, Oregon |
Publisher | Pickwick Publications |
Chapter | 12 |
Pages | 187-204 |
Number of pages | 18 |
ISBN (Print) | 9781610977432 |
Publication status | Published - 2013 |