Malouf's invisible city: the intertwining of place and identity in Johnno

Research output: Contribution to journalArticlepeer-review

212 Downloads (Pure)


By the time poet David Malouf wrote Johnno (1976), his first work of prose fiction, he was in his late thirties and living in the Renaissance city of Florence. Both European Florence and antipodean Brisbane mirror and enfold the novel's eponymous hero, Johnno, and his narrator-creator, Dante. The Florentine poet, and by extension his medieval trappings, resonate throughout a tale about growing up in a frontier town far removed from the cosmopolitan centres of the Northern Hemisphere. This Italian connection can be explored further by considering Italo Calvino's Invisible Cities (1997) alongside Johnno. The depiction of Venice in Calvino's novel can operate as a point of contrast and comparison to the river city of Brisbane, conjured by Malouf's Dante.
Original languageEnglish
Pages (from-to)85-95
Number of pages11
JournalQueensland Review
Issue number1
Publication statusPublished - Jun 2015

Fingerprint Dive into the research topics of 'Malouf's invisible city: the intertwining of place and identity in Johnno'. Together they form a unique fingerprint.

Cite this