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Abstract
Picturing Moral Courage: The Rescuers (also exhibited under the name of "Ordinary Heroes") is an exhibition that focuses on rescuer behaviour during times of genocide in Rwanda, Bosnia and Herzegovina, Cambodia and Holocaust Europe. The practice of designing this exhibition highlighted the complex nature of designing 'difficult knowledge' exhibitions, and in particular the interpretive processes of designers when creating the typographic representations of people's testimonies of lived traumas in two different languages. This exhibition is the focus of an upcoming paper that will be published in The Design Journal's special edition on visual communication in the Balkans in December 2015 (Wahlin & Kahn 2015). The paper examines the role of designers within the difficult exhibition field of practice, and proposes a conceptual theoretical model of analysis that combines critical hermeneutics with multimodal, social semiotics, to assist in the interpretive process of designers, as well as enhance communication between curatorial team members.
Original language | English |
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Place of Publication | Multiple public locations in Bosnia and Herzegovina |
Publisher | PROOF: Media for Social Justice |
Media of output | Artwork |
Size | Graphic design, international exhibition |
Publication status | Published - 2011 |
Event | Ordinary Heroes - Duration: 01 Jan 2011 → 31 Dec 2015 |
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Dive into the research topics of 'Picturing Moral Courage: The Rescuers'. Together they form a unique fingerprint.Activities
- 1 External research and teaching
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The Moral Courage Project 2020-21
Wahlin, W. (Consultant)
01 Oct 2020 → 30 Apr 2021Activity: Engagement and professional development › External research and teaching › Academic