Abstract
The article explores Paradise Lost's portrayal of the conversion of Adam and Eve within the context of post-Reformation theological controversies concerning grace, conversion, and freedom. Focusing both on the narrative drama of conversion in Books 10 and 11 and on the theological articulation of conversion in Book 3 will highlight the distinctive theological contours of the poem's account of the grace of conversion.
Original language | English |
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Pages (from-to) | 22-39 |
Number of pages | 18 |
Journal | Milton Quarterly |
Volume | 40 |
Issue number | 1 |
DOIs | |
Publication status | Published - 2006 |