Abstract
This research devised multiple practical exhibition outcomes that further explored these notions as primary function of the photograph or art object in both traditional and non-traditional forms. The author's own works are integrated into the paper as exemplars of the practice-as-research outcomes. The larger implications of the research were to continue the photographâÂ's generative discourse as fine art object to be analysed within alternative psychoanalytical frameworks.
| Original language | English |
|---|---|
| Qualification | Master of Arts |
| Awarding Institution |
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| Award date | 01 Oct 2012 |
| Place of Publication | Australia |
| Publisher | |
| Publication status | Published - 2012 |
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