Abstract
This article attempts an experimental mode to ply the depths of a text’s relationship with its circumstances of production. Deploying an immersive praxis, the analysis aims to activate the autonomy of the short story ‘The Quest of Yar Khan’ through a rich engagement with its materiality, particularly its named geography. Revealing the text’s context in this way offers an opportunity to refresh the view of South Asia in peri-Federation Australia, a circumstance of which this short story is part.
Original language | English |
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Pages (from-to) | 102-118 |
Number of pages | 17 |
Journal | Cultural Studies Review |
Volume | 24 |
Issue number | 1 |
DOIs | |
Publication status | Published - Mar 2018 |