A published journal essay for the national publication of Art and Australia quarterly journal, entitled: ART AND AUSTRALIA, volume 50, number 3, March 2012. Published by Art and Australia Pty Ltd., NSW. Editor Eleonora Triguboff. Autumn 2013 February/March/April publication. This publication is the leading quarterly journal of art criticism in Australia. My contribution was a theoretic repositioning of the role of performance art and sound art in relation to past and contemporary museology practices. I gave a critique of contemporary performance art and the role of 1970s sculpture towards a performative or hybrid music context. The essay addresses through exhibition review and analysis the context regarding the devolution of Australian sculpture since the 1970s in a national and international context, and a nationwide reengagement with "sculpture as interactivity" and the inter-textual possibilities in merged art practices within the art museum. My essay provides a review of conceptual and regional artspaces and reanimated exhibition practices within current art curation.
|Type||A published journal essay for Art and Australia|
|Publisher||Art and Australia Pty Ltd., NSW.|
|Place of Publication||NSW|
|Publication status||Published - 2013|