Abstract
This article examines the phenomenon of Riverdance through the lens of postcolonial theory. It accounts for the success of Irish culture and popular memory moving immigrant identities across global landscapes and within popular cultural literacies.
Original language | English |
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Pages (from-to) | 301-311 |
Number of pages | 11 |
Journal | Irish Studies Review |
Volume | 7 |
Issue number | 3 |
DOIs | |
Publication status | Published - 1999 |