Woman with an Editing Bench

Karen Pearlman; Jill Holt

Woman with an Editing Bench

Karen Pearlman, Jill Holt

Research output: Non-textual outputs, including Creative Works › Creative Works - Recorded or Rendered works

Abstract

Woman with an Editing Bench' is about creativity and sustaining love. Set in the Soviet Union in the 1930s, it follows Elizaveta Svilova, the unsung editor behind the documentary masterpiece 'Man with a Movie Camera', as she navigates the oppressive Stalinist regime and tries to keep the creative film revolution alive. Inspired by the true story of Svilova's lifelong creative partnership with Dziga Vetov, 'Woman with an Editing Bench', uses Svilova's own revolutionary editing techniques to create an impressionistic whirlwind that reveals the skill, determination and creative genius of an editor's work behind the scenes.As an associate researcher, I provided ongoing feedback and advice during the post-production process of the film.

Original language	English
Place of Publication	Film festival release and upcoming online distribution
Publisher	Physical TV
Publication status	Published - 2016
Externally published	Yes

Cite this

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abstract = "Woman with an Editing Bench' is about creativity and sustaining love. Set in the Soviet Union in the 1930s, it follows Elizaveta Svilova, the unsung editor behind the documentary masterpiece 'Man with a Movie Camera', as she navigates the oppressive Stalinist regime and tries to keep the creative film revolution alive. Inspired by the true story of Svilova's lifelong creative partnership with Dziga Vetov, 'Woman with an Editing Bench', uses Svilova's own revolutionary editing techniques to create an impressionistic whirlwind that reveals the skill, determination and creative genius of an editor's work behind the scenes.As an associate researcher, I provided ongoing feedback and advice during the post-production process of the film.",

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publisher = "Physical TV",

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N2 - Woman with an Editing Bench' is about creativity and sustaining love. Set in the Soviet Union in the 1930s, it follows Elizaveta Svilova, the unsung editor behind the documentary masterpiece 'Man with a Movie Camera', as she navigates the oppressive Stalinist regime and tries to keep the creative film revolution alive. Inspired by the true story of Svilova's lifelong creative partnership with Dziga Vetov, 'Woman with an Editing Bench', uses Svilova's own revolutionary editing techniques to create an impressionistic whirlwind that reveals the skill, determination and creative genius of an editor's work behind the scenes.As an associate researcher, I provided ongoing feedback and advice during the post-production process of the film.

AB - Woman with an Editing Bench' is about creativity and sustaining love. Set in the Soviet Union in the 1930s, it follows Elizaveta Svilova, the unsung editor behind the documentary masterpiece 'Man with a Movie Camera', as she navigates the oppressive Stalinist regime and tries to keep the creative film revolution alive. Inspired by the true story of Svilova's lifelong creative partnership with Dziga Vetov, 'Woman with an Editing Bench', uses Svilova's own revolutionary editing techniques to create an impressionistic whirlwind that reveals the skill, determination and creative genius of an editor's work behind the scenes.As an associate researcher, I provided ongoing feedback and advice during the post-production process of the film.

M3 - Creative Works - Recorded or Rendered works

PB - Physical TV

CY - Film festival release and upcoming online distribution

ER -

Woman with an Editing Bench

Abstract

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Cite this