Apology Accepted

Lachlan Brown

Apology Accepted

Lachlan Brown

Social Work and Arts

Research output: Textual Creative Works › Creative Works Original - Textual

Abstract

This poem is from a broader project titled Limiting Entropy (a collaboration with the visual artist Dr Tony Curran). Ekphrasis and ekphrastic practice have a long and studied history both internationally (see Heffernan, Hollander, Kreiger) as well as in Australian literature (see Dominic Symes, 'Ekphrasis as Event', 2017 or Tegan Bennett's 'The kaleidoscope of visual poetry,' 2011). Through a series of visual-poetic calls and responses, Limiting Entropy is a contemporary Australian instantiation of what Paul Frosh has described as 'a dynamic intersection of images and words that is both generative and propulsive.'

Original language	English
Type	poem
Media of output	print
Publisher	Marathon Literary Review
Place of Publication	USA
Edition	11
Publication status	Published - 2017

Publication series

Name	Limiting Entropy

'Cuplet #9' 10 April, with Pam Brown, Eliana Gray, and Rae White, The Beaumont Hamilton [poetry reading].
Brown, L. (Participant)
Impact: Cultural Impact

1 Creative Works - Curation of Exhibition/Event/Festival

Limiting Entropy
Brown, L. & Curran, A. (Artist), Mar 2017
Research output: Non-textual outputs, including Creative Works › Creative Works - Curation of Exhibition/Event/Festival

Cite this

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title = "Apology Accepted",

abstract = "This poem is from a broader project titled Limiting Entropy (a collaboration with the visual artist Dr Tony Curran). Ekphrasis and ekphrastic practice have a long and studied history both internationally (see Heffernan, Hollander, Kreiger) as well as in Australian literature (see Dominic Symes, 'Ekphrasis as Event', 2017 or Tegan Bennett's 'The kaleidoscope of visual poetry,' 2011). Through a series of visual-poetic calls and responses, Limiting Entropy is a contemporary Australian instantiation of what Paul Frosh has described as 'a dynamic intersection of images and words that is both generative and propulsive.'",

author = "Lachlan Brown",

year = "2017",

language = "English",

series = "Limiting Entropy",

publisher = "Marathon Literary Review",

edition = "11",

type = "Other",

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T1 - Apology Accepted

AU - Brown, Lachlan

PY - 2017

Y1 - 2017

N2 - This poem is from a broader project titled Limiting Entropy (a collaboration with the visual artist Dr Tony Curran). Ekphrasis and ekphrastic practice have a long and studied history both internationally (see Heffernan, Hollander, Kreiger) as well as in Australian literature (see Dominic Symes, 'Ekphrasis as Event', 2017 or Tegan Bennett's 'The kaleidoscope of visual poetry,' 2011). Through a series of visual-poetic calls and responses, Limiting Entropy is a contemporary Australian instantiation of what Paul Frosh has described as 'a dynamic intersection of images and words that is both generative and propulsive.'

AB - This poem is from a broader project titled Limiting Entropy (a collaboration with the visual artist Dr Tony Curran). Ekphrasis and ekphrastic practice have a long and studied history both internationally (see Heffernan, Hollander, Kreiger) as well as in Australian literature (see Dominic Symes, 'Ekphrasis as Event', 2017 or Tegan Bennett's 'The kaleidoscope of visual poetry,' 2011). Through a series of visual-poetic calls and responses, Limiting Entropy is a contemporary Australian instantiation of what Paul Frosh has described as 'a dynamic intersection of images and words that is both generative and propulsive.'

M3 - Creative Works Original - Textual

T3 - Limiting Entropy

PB - Marathon Literary Review

CY - USA

ER -

Apology Accepted

Abstract

Publication series

Fingerprint

Impacts

'Cuplet #9' 10 April, with Pam Brown, Eliana Gray, and Rae White, The Beaumont Hamilton [poetry reading].

Research output

Limiting Entropy

Cite this